One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). Good luck with your purchase and future use of this font.Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. The designer and publisher deserves to be paid for their work, as they have put in the hours and the creativity to produce such an amazing font. Here you will be able to obtain the proper license. If you really want Futura® Black and you want to truly own it the legal and safe way, then click here to visit the download and purchase page on. It's just too risky going about finding free fonts online. The benefits of paying for Futura® Black are that you get the license, and if you're caught using it illegally there could be some potential legal implications with the publisher of this particular typeface.įurthermore, when searching 'free downloads' on Google, most websites will say they have them but these types of offers usually come at a cost - either something like high-pressure sales tactics or getting tricked into downloading malware onto your computer by malicious third parties who want access to all your personal information! It is always best to pay for a premium font rather than trying to find an illegal download.

You can find some other great options here on as well that will save you time looking around all over the web. You won't find Futura® Black as a free download, so I would advise you just to go ahead and pay for it and download Futura® Black HERE. For more previews using your own text as an example, click here.Īre you looking for a free download of Futura® Black? Most of the fonts on are premium, which means Futura® Black is not a free font. Here is a preview of how Futura® Black will look. The Futura® Black includes the following font families:

In 1929 Josef Albers and Jan Tschichold corresponded on the “Transito” typeface (another very similar stencil typeface, while Paul Renner was working with Jan Tschichold. Many websites erroneously attribute the stencil design to Josef Albers, but there is no evidence that the two met or collaborated on Futura Black. Josef Albers drew a stencil sanserif form at the Bauhaus in 1923 (published in 1926) Paul Renner and the Bauer design office made a similar design into a typeface in 1929, and rather confusingly included it in the Futura series.

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